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Variants of the tale are known across Europe.[1] In France, for example, Zémire et Azor is an operatic version of the story, written by Marmontel and composed by Grétry in 1771, which had enormous success well into the 19th century;[2] it is based on the second version of the tale. Amour pour amour, by Nivelle de la Chaussée, is a 1742 play based on Gabrielle-Suzanne Barbot de Villeneuve’s version
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